Response to “Poetic License” by Simon Schorno
The life of Manazar Gamboa is documented and acted out in this film, “Poetic License”, to show the culture and background he came from. Which later, influenced his choices to become a poet and playwright provoking a platform for a stance on social problems, along with giving back to his community through student outreach programs. The film itself captured the essence of Gamboa by giving small flashbacks of significant childhood memories to  exaggerated ones, while simultaneously introducing his black and white organic image. Attached to his childhood stories is a behind the scene history of the displacement of the Chavez Ravine, Gamboa’s community, by the Dodger stadium. The film revolves around this problem that struck down his community and provides the audience with a sense of guilt for not knowing the effect of a consumerism based sport.
Article by Eris De La Torre

“With Flare” embodies the nature that surrounds my community in WilmingtonCalifornia. For myself this body of work could not have hit any closer to home. Thelocations of these photographs were all taken within a one-mile radius from thehome I grew up in. The inevitable issue that comes to mind as I sit with this body ofwork is environmental racism. Environmental racism is real and it is an underliningissue that has and continues to affect the health and well being of my community.What I find interesting about the flares in these images are how subtle yet profoundthey are being represented. To those who are not surrounded by the flareseveryday, the statures of the flares become grand. But, when you live with themeveryday like myself, they’re like another piece of gum on the sidewalk. We tend togive them no attention, that’s up until you step on a piece and ruin your newzapatos. The question I’m left with as I wrap up my response is, how many zapatosdo we really have to ruin until we get mad at the real problem?
Article by Marlene Tafoya

Karla Diaz has published Prison Gourmet. This is a recipe cookbook and documentation of performances in which she makes prison recipes that were sent to her by inmates from California. These alternative recipes are often notable expressions of freedom, collaboration, comradeship and creative ways of food consumption. An activist, artist and writer, Diaz uses the form of a cooking book to invite readers and the public to engage. These books are limited edition, and are for sale printed on demand. For more info please emails us at: info@slanguagestudio.com

WED | JULY 25 | 7–8:30PM | LAXART
RSVP ASAP to SlanguageRSVP@laxart.org

Slanguage presents the second installment of the Artists Anonymous series during This is a Takeover! A 10 Year Survey of Slanguage, the current exhibition at LAXART for Made In L.A. 2012. This meeting led by artists Christopher Reynolds and Christina Sanchez will attempt to tackle issues of food politics through the language of art. Along with artist presentations and in-depth conversations over food, participants will be given the opportunity to share their thoughts, questions, and concerns for this ever-present topic within the current contemporary art discourse.

Artist presentations: Christopher Reynolds, Christina Sanchez, & Sarah Beadle

Special Guest: Mariana Huerta (Policy Coordinator) of the Restaurant Opportunities Center of Los Angeles

Images: (left) Christopher Reynolds, Conversation Proposal , 2011
(right) Christina Sanchez, Break/Pausa: Two Performance Scores, 2012

 

 
Please join us to celebrate Slanguage’s 10-year anniversary at LAXART this weekend! There will be a free art exhibition tour by Slanguage artists, an art workshop, and food at LAXART from 11am – 2:30pm.
 
If transportation is needed, a bus will pick up community members this Saturday, July 21 between 9:30-10:15am at the studio and it will return by 3pm. IMPORTANT: Please RSVP to Karla Diaz at info@slanguagestudio.com by this Friday as there is limited bus seating.
 
Many thanks to the LA City Council District 15, Joe Buscaino, and Adrian Veliz for all their support!
 
TO VOTE: Bring your CA or school ID. Also, you need an email address. We can help with this if you don’t, but it’ll be helpful if you do.
 
See you there!
 

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Dang, even Reggie the Alligator is at the polls voting Slanguage!

He made sure to bring his CA ID card and his email address to register to vote. Don’t forget yours!


Slanguage’s ‘take-over’ of LA><ART has been a great success  since its opening last month. Along with great reviews from the LA Times and other media sources, we are also honored to be in the running for the Mohn Award! Hard work pays off — and with the wonderful team of resident artists and supporters, we are continuing to see a brighter future.

In addition, it’s important for us at Slanguage to spotlight those  artists who have helped create the visual images throughout the years. Right now, we’ like to recognize the three artists who painted the mural that is beautifully laid out on the  front of the LA><ART building. The artists involved in the creation of this mural titled Peace in Wilmas are Mario “Dred” Lopez, Mario “Autoe” Cuen and Raul “Spew” Vasquez. I got a chance to find out more about the mural and their work.

More after the jump.

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